This blog is a collection of my thoughts and experiences from ten years as a skate dad. For those of you sitting with your jackets in the bleachers, first I salute you, but second I want to give you an honest sense of what you are in for and what to expect. Ice skating is both a trying and a glorious sport, but it doesn't happen without the special group of folks who cheer, support, and console the participants. This is dedicated to you.

Thursday, August 8, 2013

- skate personality stew

Many of the young teen ladies at the rink get torn between their art and their desires to achieve certain technical aspects of their performance. This conflict seems to span four dimensions. On one axis you have the battle toward artistic expression, on another vector you get the strivings for technical accomplishments, on the third axis you have the whole issue of body shape, and finally you encounter the issue of fitting in with society's expectations for a young lady (at their age mostly their parents' expectations, but there can also be peer "drama" here as well). It is a rather complicated formula of flavors, and the most successful skaters have a lot on their plate.

How does the mixing and matching of forces create the personality of the skater? The big popular shows with hundreds and thousands of viewers -- the finals that you see on TV -- really don't do anything for the skaters. It is art of course, and it is a performance with all of the inherent issues of performance-art. But it is too big and noisy for the skaters to gain much critical value out of the process for themselves.

The small practice sessions though (the club events in front of the parents) are really where learning and social processes transpire. For one thing, the club events are small enough that the skaters can pay attention to the thoughts of the audience. They get immediate feedback about the impact of their performance. But more important is the peculiar characteristic of the audience itself: these observers see hours upon hours upon hours of skating. They know every move and they pay attention to the flexing of every muscle and the impact of every jump on each joint and bone. They are not easily impressed and they aren't distracted much by costuming flash... they comprehend the amount of effort and practice that goes into each and every move. And they all have the skaters' best interests at heart.

How the skater interacts with this smaller audience then influences her choices, which then determines her path. Each skater faces a choice of focus between art and technical merit. It isn't exactly a trade-off one-for-one; it is possible to advance both (and in fact the best skaters do advance both). At the middling stage though -- that point where a skater has reasonable control of her body, a fair number of moves and skills, and some experience performing on the ice -- you quickly see that a skater tends to drift toward one seasoning or another.

They can drift toward the flavor of being technically competitive, where they battle each other to see who can spin the fastest or do the most complicated laybacks or be the first to land a triple Axel consistently. Or they can drift to the aroma of showmanship, where they provide graceful entertainment to the audience.

Sometimes a gal is "pre-selected" for the competitive bent, either by her body build or by the influence of her parents. The more robust girls -- the large-boned -- have natural impediments to achieving much of the technical expectations. And yet they often are adequately compensated by being blessed with a certain amount of grace and artistic expression. Some of the more lankly gals don't have a lot of grace, but their physics allow them superior technical ease.

So all in all it’s a big complicated stew.

No comments:

Post a Comment